This note is the high e string and also the root note of the E minor and the E major pentatonic scale, which makes it perfect to use as a glue to form one compelling blues lick out of the two smaller licks. New York, Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. Take your short blues licks and connect them into longer flowing phrases that extend beyond the box pattern. King employed a lick like the one shown in FIGURE 5 in his track Sweet Little Angel from Live at the Regal. You must gain the knowledge of the scale where the lick is derived from. The mighty T-Bone cut heads in tunes like Strolling with Bones with this powerful diminished chord voicing, shown in FIGURE 11. This T-Bone lick is played at the turnaround of a blues progression, and can be used as either an intro or at the end of any verse during a 12 bar blues. Here is the music notation and backing track : The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). This item: Vol. How To Use Your Blues Licks During Improvisations. This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. All of the licks that we’ll look at here will be presented in the context of an A major blues. View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. Or you can play them in sequence over a standard 12-bar blues to create one very hip solo, as we’ll do for the very last step of this lesson. Remember all of these licks can be moved up or down the fretboard, which means that you can fit them into just about any key. Use one continuous upstroke to zip down the run to the 5th (E). When listening to the best blues guitarists you'll notice that there are several famous licks they use all of the time. The bends to the b5th (Eb) and the true blue note (between C and C#) establish a solid blues tonality. The Battle of Blue Licks, fought on August 19, 1782, was one of the last battles of the American Revolutionary War.The battle occurred ten months after Lord Cornwallis's surrender at Yorktown, which had effectively ended the war in the east.On a hill next to the Licking River in what is now Robertson County, Kentucky (then Fayette … Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks Spend some time listening to and transcribing your favorite guitar solos. Take Control Over Your Blues Solos With The Essential Blues Soloing Course. Rocking The Blues Jimmy Dillon is something of a Blues legend and this 3 DVD course will really have you play-ing like the Blues greats. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. Dig that the root (A), b5th (Eb) and b3rd (C) are right out of the A blues scale, while the 6th (F#) hints at the A Mixolydian mode. Just like the first blues lick, this second lick is a mixture of both major and minor sounds. King "Why I Sing The Blues" Albert King was famed for his powerful string-bending style as well as for his soulful singing, which earned him the nickname The Velvet Bulldozer. It’s based out of the blues scale but there are voodoo elements resolving to the major 3rd. Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. Melodic Style Blues Licks quantity. played this one on Three O’Clock Blues, and it is entirely possible that Eric Clapton learned it from that breakthrough hit. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. The resulting dyad (A–C) provides the 5th and b7th of the IV chord, reinforcing its bluesy, dominant 7th flavor. Presented here for your edification are 12 classic blues phrases, each with a certified pedigree. Start with your index finger, switching to your ring finger for the full-step bend of the 5th (E) to the 6th (F#). Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. The second pattern, FIGURE 2, is a reduced version of this same scale, which includes only the root, b3rd, 4th, 5th and b7th. Categories: Advanced, Banjo, Intermediate, Skills. The DVDs, audio CD, and this book of written Let’s check ’em out! Soloing Over Blues Progressions - A More Effective Approach Most guitarists are taught to play minor pentatonic or the flat 5 blues scale when soloing over a 1 4 5 blues progression. Prominently displayed in Crosscut Saw and Born Under a Bad Sign, it hovers and swoops like bird of prey. Blues lick 6 is one of those I-IV-I-V7 turnaround blues licks in the spirit of E.C.’s “Sleepy Time Time” moves. You need to know exactly how to play each lick over any chord. 3 Minor Blues Licks. By doing so you can make use of other types of dynamics into your guitar playing which aren't otherwise possible. bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. To finish off my top 5 blues guitar riffs, here is the classic T-Bone intro to ‘Stormy Monday’. A lick contains a few notes which belong together like words in a sentence and have special meaning or express a certain feeling. 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